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GLOBAL SHANANIGANS

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Saraswati Lotus Temple
Built in honour of its namesake Saraswati, the Hindu goddess of knowledge, music, art, wisdom and learning, Pura Taman Saraswati is a graceful water temple nestled in the heart of downtown Ubud. This sacred site blends spiritual reverence with classical Balinese aesthetics, offering a peaceful retreat just steps away from the town’s busy centre.
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Goa Garba and the Legacy of Kebo Iwa
Carved into the rugged rock face of a ravine above the banks of the sacred Pakerisan River, this ancient hermitage niche is a remarkable archaeological site that offers a glimpse into Bali’s pre-Hindu past. Hidden discreetly in the quiet hamlet of Sawan Gunung, the site shelters a collection of pre-Hindu megaliths, silent remnants of an era long before the arrival of Hindu-Buddhist influence on the island.
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Tirta Gangga Water Palace
Nestled in the eastern highlands of Bali, in the quiet village of Ababi at the foot of Mount Agung, Tirta Gangga is a royal water palace steeped in beauty and spiritual reverence. Commissioned by the last Raja of Karangasem in 1946, this sacred estate pays homage to Balinese Hindu devotion. Its name, meaning “blessed water from the Ganges,” reflects its role as both a royal retreat and a site for spiritual purification and ceremonial bathing.
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Kehen - The Temple of Fire
First mentioned in ancient copper inscriptions from the 9th century, Kehen Temple was originally known as Pura Hyang Api, a sacred site dedicated to Agni, the Hindu God of fire. This powerful deity symbolises not just destruction but also renewal and purification, embodying the transformative force of flame. Over the centuries, the temple underwent several name changes as it evolved with the shifting tides of Balinese history and spirituality.
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Yeh Pulu - Water of the Stone Jar
Hidden in a lonely ravine between the Petanu and Pakrisan Rivers, the ruins of this unique 14th-century rock relief lay buried for centuries under volcanic eruptions and vegetation. The site was excavated by Dutch authorities in 1925 and in 1949, a stone gutter was cemented on top in order to drain off water, to prevent erosion and vegetation from taking hold, revealing even more of the stone mural.
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