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Furong Ancient Waterfall Town - The Widow's Veil

  • Shannon
  • Sep 4
  • 5 min read

Secrets Carved in Stone and Water

Mist curls through ancient stilt houses, their wooden beams creaking softly above the river’s roar. Furong is not just a town, it’s a living memory etched into cliffs and carried on the rushing waters below. Here, every shadow and ripple holds whispers of old rituals, lost loves and a veil of sorrow that hangs like the mist itself.



Originally known as Wangcun, this stunning 2000 year old village began as a sleepy Tujia ethnic settlement, nestled deep within the rugged cliffs of western Hunan Province. Established during the Han Dynasty, it was once little more than a modest cluster of wooden dwellings, with smoke curling gently from hearth fires and echoes of ancestral chants reverberating across the canyon. The Tujia people, who first settled here, have long practiced a form of animistic spirituality, worshipping forest spirits, river gods and ancestral deities. They believed that the cliffs and waters surrounding them were alive, inhabited by invisible beings who needed to be respected and appeased.


Night scene of illuminated waterfalls with vibrant blue and yellow lights. Traditional buildings with warm lights in the background create a serene atmosphere.

The village's setting is nothing short of cinematic. It clings to the cliffs above the You River, a lifeline that snakes through the region like a jade ribbon. From the edge of the village, traditional Diaojiaolou, stilted wooden houses with sweeping eaves and latticed balconies, overlook the thundering Furong Waterfall, a 60 metre cascade that roars through the ravine. Beyond its raw beauty, this waterfall has long been central to both local legend and religious rites, believed by elders to act as a watery veil between the physical world and the realm of spirits. In times of drought or misfortune, offerings were once cast into its currents in hopes of pleasing the river god.


Night view of a lantern-lit traditional Chinese building and bridge. Warm golden lights reflect on water, with glowing signage and trees.

Wangcun’s true transformation came in the 15th century, during the late Ming and early Qing dynasties. The village evolved from an isolated outpost into a major market town, thanks to its strategic location along ancient salt and silk trading routes. Caravans wound their way up the mountains to exchange luxury goods, such as embroidered silks from Jiangnan, medicinal herbs from Sichuan and crystalised salt from the southern mines. Tujia craftsmen became renowned for their textiles, particularly handwoven brocade known as "Xilan Kapu", a skill passed down through generations of women. This trade boom attracted not only merchants but scholars, generals and artists, who praised Wangcun’s cultural richness and striking natural beauty.


Much of the village’s architectural charm lies in its spiritual engineering. The Tujia people believe that evil spirits roam close to the ground and so they built upwards, elevating their homes on tall timber stilts. This also protected families from floods and wild animals. Carved protective motifs, often of dragons, phoenixes and sacred plants, decorate beams and thresholds to ward off misfortune. Crimson paper talismans, smeared with pig’s blood and inked in ancient script, are still pinned above doorways during festivals and funerals, fluttering in the wind like whispers to unseen gods.



At the heart of Tujia spirituality is the Sheba Festival, held in the first lunar month. This is no tourist performance, it is a private, solemn ritual that reawakens the link between the living and the dead. Villagers gather around the Sheba Totem, a sacred wooden pillar carved with three faces representing heaven, earth and the underworld. Shamans lead processions of masked dancers and drummers, offerings of rice wine and incense are placed at family altars and the Baishou Dance, an ancient gestural performance, is performed to retell the origin myths and moral codes of Tujia cosmology. The festival is not merely symbolic, it is believed to maintain cosmic balance, renew ancestral protection and cleanse spiritual pollution.


Illuminated traditional Chinese architecture at night with glowing red lanterns, intricate wooden structures, and vibrant signs, creating a serene mood.

Though the Tujia are now over 8 million strong, making them one of China’s largest ethnic minorities, their traditions are rarely understood outside their homeland. Their spoken language, Tujia yu, is tonal and complex and is now considered endangered. Their spiritual worldview, rooted in shamanism and animistic ritual, is largely obscured by the Han-centric cultural mainstream. Yet in remote places like Furong, their identity survives in architecture, dance and myth, embedded in the very stones of the village and the echoes that pass through its waterfalls.


Illuminated traditional building with red lanterns at night, surrounded by trees. Bright colours and signs create a festive atmosphere.

No legend looms larger in Furong than that of the Bridal Ghost. As the story goes, a young Tujia bride, betrayed by her betrothed on their wedding night, flung herself from the cliff in a storm of lightning and sorrow. Locals call the great cascade "The Bride’s Fall", a name born from her tragic plunge. Some swear her cries can still be heard in the mist that rises from the gorge at dawn. Others claim her spirit wanders the village in white silk robes, lingering at dry wells and abandoned homes, forever searching for justice or release. Her body, they say, was never recovered.


Night view of a hillside village with bright, golden lights. Illuminated waterfalls in blue light adorn the foreground, creating a vibrant scene.

Furong as we know it today was reintroduced to the world in 1986, when the cult film Hibiscus Town (Furong Zhen) used the village as its backdrop. Set during the chaotic aftermath of the Cultural Revolution, the movie’s themes of personal loss, political trauma and haunting beauty became tied to the place itself. In the years that followed, Wangcun was officially renamed Furong, after the film. But for all the attention it brought, many locals still whisper about a deeper sorrow that clings to the rocks and streets, a village layered in centuries of memory, where spirits and history share the same air.



🗺️ Location

Furong, Yongshun County, Xiangxi Tujia and Miao Autonomous Prefecture, Hunan Province, China

🚆 How to get there

I travelled here at night with very limited time after a paid day tour in Zhangjiajie, so here's my experience : We paid 335 yuan for a 2 hour night drive to Furong via Didi Taxi. We set a world speed record navigating this stunning Waterfall town in just over an hour and then did another 2 hours back to Zhangjiajie for an additional 335 yuan. If you have the time, allow at least a day and a night here! 1 hour was nowhere near enough and I missed a lot.

⭐ Attraction Info

There is a ticket booth located right near the entry gate and you will need your passport (a photocopy will suffice if the hotel still has yours). The entry fee is 108 yuan each, payable with Alipay. Directions within ancient town are well sign posted and the locals are happy to point you in the right direction. The whole place is open until 12am although when we arrived around 9:30pm, most of the street stalls were closed. Bring water! Visit between Summer and early Autumn for peak water flow and lush greenery. March was still ok.


芙蓉古镇


Illuminated statues of historical figures at night, with pink and orange lighting. A stone tower and trees are in the background.

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Furong Ancient Waterfall Town - The Widow’s Veil is a mystical place where cascading waters and ancient stone houses merge, cloaked in mist and legend, inviting visitors to step into a world suspended between history and myth

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