The village of Jatiluwih offers a living testament to the ancient harmony between humans, nature and the divine. Overlooked by the brooding silhouette of Mount Batukaru, Bali’s second-highest volcano and a sacred site in its own right, Jatiluwih’s name translates to "truly beautiful," a title it lives up to with dramatic sweeps of emerald-green rice terraces that ripple across the landscape.

Founded in 962AD during the Warmadewa dynasty, Tirta Empul is one of Bali’s most sacred temples, located in the cool highlands of Tampaksiring near Manukaya village. Its name, which means "holy water spring," is derived from a natural spring that bubbles up into the temple’s central pool and continues to feed the nearby Pakerisan River. This revered site is dedicated to Vishnu, the Hindu God of Water and Preservation

The Ayung River is Bali’s longest waterway, stretching 68.5 km's from the lush northern highlands down to the southern coast at Sanur. It snakes its way through deep gorges, remote jungles, rice terraces and traditional villages, making it one of the island’s most scenic natural features. Despite its size, the Ayung maintains a gentle flow for much of its length, making it ideal for outdoor activities like rafting and river trekking.

Garuda, the colossal bird being of Hindu myth, soars through Balinese religious imagination not as a gentle guardian but as a relentless force cutting across the realms of gods, demons and mortals. His wings are said to darken the sky when spread, the violent wind from their beat capable of stripping the leaves from the forests.

Perched on a ridge above Ubud’s sacred Campuhan River lies one of Bali’s most curious artistic enclaves, the Blanco Renaissance Museum, once the home and studio of the flamboyant artist Don Antonio Blanco. Often called the “Dali of Bali,” Blanco's vibrant persona and sensual art helped solidify his reputation as one of the island's most celebrated foreign creatives.

Built in honour of its namesake Saraswati, the Hindu goddess of knowledge, music, art, wisdom and learning, Pura Taman Saraswati is a graceful water temple nestled in the heart of downtown Ubud. This sacred site blends spiritual reverence with classical Balinese aesthetics, offering a peaceful retreat just steps away from the town’s busy centre.

Across Bali, Bedogol refers to the guardian statues that flank the entrances of temples and family compounds, the silent watchers carved in stone. Positioned in pairs on either side of a gateway, they serve as spiritual protectors, anchoring the threshold between the ordinary world and sacred ground.

Puri Langon is a privately owned royal compound located in central Ubud. It is the personal residence of Tjokorda Ngurah Suyadnya, better known as Cok Wah, a respected figure in the Ubud royal family. Though it remains a functioning private home, Puri Langon is open to the public free of charge, offering rare access to a lived-in royal space that continues to serve spiritual and cultural functions within the community.

Batara Kala, in Balinese mythology, is the monstrous deity of time, destruction and the underworld. He's a god born not from light but from the uncontrolled lust of the supreme god Shiva (Siwa). In one chilling version of his origin, Batara Kala is conceived during a moment of cosmic imbalance, when Shiva’s spilled seed, filled with uncontrollable rage and passion, falls to earth and takes form.

The Dutch first reached Bali in 1597 while scouting new ground for conquest and profit. They left without drawing blood but they didn’t leave without a decision. Bali had been marked. For the next two centuries, the island remained untouched, not because the Dutch had lost interest, but because they were waiting for the moment it would be worth the slaughter. It wasn’t peace. It was a pause before an extermination. When they returned, the rivers would turn red.

Overlooking the vast and turbulent Indian Ocean on Bali’s Bukit Peninsula, Uluwatu Temple (or Pura Luhur Uluwatu) perches 70 metres above the waves, a landmark of both awe and solemnity. Archaeological evidence shows its origins date back to the 9th century, based on an ancient split gateway bearing a chronogram marking 886 .AD, confirming its megalithic roots as one of the island’s oldest sacred sites