Hanuman, the fierce Monkey King, prowls through the shadowed corners of Balinese myth, a figure both revered and feared. Far beyond a mere symbol of strength, he embodies a primal force, wild, untamed and relentless in his pursuit of justice. In Bali’s ancient Hindu-Buddhist tapestry, Hanuman’s presence evokes a raw energy, one that bridges the mortal world with darker realms where gods and demons wage eternal war.

The village of Jatiluwih offers a living testament to the ancient harmony between humans, nature and the divine. Overlooked by the brooding silhouette of Mount Batukaru, Bali’s second-highest volcano and a sacred site in its own right, Jatiluwih’s name translates to "truly beautiful," a title it lives up to with dramatic sweeps of emerald-green rice terraces that ripple across the landscape.

In the black veins of Balinese and Javanese mythos, no figure evokes more dread than Calon Arang. Her story isn’t just about sorcery, it’s about what happens when society pushes a woman too far and she decides to burn the world down rather than be erased by it. She was no mere witch, she became the storm of death incarnate. The widow of Girah and the devourer of life.

The Ayung River is Bali’s longest waterway, stretching 68.5 km's from the lush northern highlands down to the southern coast at Sanur. It snakes its way through deep gorges, remote jungles, rice terraces and traditional villages, making it one of the island’s most scenic natural features. Despite its size, the Ayung maintains a gentle flow for much of its length, making it ideal for outdoor activities like rafting and river trekking.

Garuda, the colossal bird being of Hindu myth, soars through Balinese religious imagination not as a gentle guardian but as a relentless force cutting across the realms of gods, demons and mortals. His wings are said to darken the sky when spread, the violent wind from their beat capable of stripping the leaves from the forests.

Perched on a ridge above Ubud’s sacred Campuhan River lies one of Bali’s most curious artistic enclaves, the Blanco Renaissance Museum, once the home and studio of the flamboyant artist Don Antonio Blanco. Often called the “Dali of Bali,” Blanco's vibrant persona and sensual art helped solidify his reputation as one of the island's most celebrated foreign creatives.

Just 12 kilometres off the southeast coast of Bali lies Nusa Lembongan, a compact gem in a trio of islands that make up part of the Lesser Sunda chain, born from volcanic origins. Though it spans only 8 square km's, the island is a place of striking contrasts and natural beauty. Bright coral reefs encircle the island, while soft white beaches and weathered limestone cliffs shape its edges.

Dewi Danu rules the highland lakes while Dewi Sri dwells in the fertile lowlands, yet their powers meet within Bali’s sacred subak system. Waters from the mountains descend through canals to the rice fields, where temples serve as ritual gateways, transforming the flow of water and the growth of grain into a divine exchange between earth and goddess.

On Bali’s southeastern coast, Goa Lawah Bat Cave Temple stands out as a powerful spiritual site where myth and nature collide. With thousands of bats roosting above its shrines, this atmospheric temple offers a raw glimpse into the island’s ancient traditions.

Shaped by both chance and design, one of Bali’s most unexpected natural wonders is Kanto Lampo Waterfall. Unlike the island’s ancient cascades that have poured down jungle cliffs for centuries, this waterfall is a relatively recent creation. In the early 2010s, adjustments to a local irrigation system redirected water across a rocky cliffside and over time the flow carved its way over volcanic stone, giving rise to the unique cascade we see today.

Built in honour of its namesake Saraswati, the Hindu goddess of knowledge, music, art, wisdom and learning, Pura Taman Saraswati is a graceful water temple nestled in the heart of downtown Ubud. This sacred site blends spiritual reverence with classical Balinese aesthetics, offering a peaceful retreat just steps away from the town’s busy centre.

Nestled in the eastern highlands of Bali, in the quiet village of Ababi at the foot of Mount Agung, Tirta Gangga is a royal water palace steeped in beauty and spiritual reverence. Commissioned by the last Raja of Karangasem in 1946, this sacred estate pays homage to Balinese Hindu devotion. Its name, meaning “blessed water from the Ganges,” reflects its role as both a royal retreat and a site for spiritual purification and ceremonial bathing.

Standing proudly at 1175 metres above sea level, on the peak of Mount Lempuyang, this ancient temple complex is among Bali’s oldest and most revered, believed to predate most Hindu temples on the island. Although there is some confusion about the site’s exact age, the establishment of temples here stretches back at least a millennium.

Across Bali, Bedogol refers to the guardian statues that flank the entrances of temples and family compounds, the silent watchers carved in stone. Positioned in pairs on either side of a gateway, they serve as spiritual protectors, anchoring the threshold between the ordinary world and sacred ground.

Batara Kala, in Balinese mythology, is the monstrous deity of time, destruction and the underworld. He's a god born not from light but from the uncontrolled lust of the supreme god Shiva (Siwa). In one chilling version of his origin, Batara Kala is conceived during a moment of cosmic imbalance, when Shiva’s spilled seed, filled with uncontrollable rage and passion, falls to earth and takes form.

The Dutch first reached Bali in 1597 while scouting new ground for conquest and profit. They left without drawing blood but they didn’t leave without a decision. Bali had been marked. For the next two centuries, the island remained untouched, not because the Dutch had lost interest, but because they were waiting for the moment it would be worth the slaughter. It wasn’t peace. It was a pause before an extermination. When they returned, the rivers would turn red.

Overlooking the vast and turbulent Indian Ocean on Bali’s Bukit Peninsula, Uluwatu Temple (or Pura Luhur Uluwatu) perches 70 metres above the waves, a landmark of both awe and solemnity. Archaeological evidence shows its origins date back to the 9th century, based on an ancient split gateway bearing a chronogram marking 886 .AD, confirming its megalithic roots as one of the island’s oldest sacred sites

In the architectural language of Balinese temples, Bhoma statues are not merely decorative but play a protective and symbolic role. Bhoma is derived from the ancient Sanskrit word bhūma, meaning “Earth” and is considered a guardian spirit linked to fertility, the forest and subterranean realms. Usually mounted above temple gates or embedded within sacred water features, these fierce, leaf entwined figures serve as guardians of spiritual boundaries,

Born from the legend of Resi Markandeya’s vision of angelic dancers over the Ayung River, Taman Dedari blends myth and appetite in equal measure. Here, guests savour Balinese flavours in a riverside setting guarded by monumental stone Dedari, the celestial maidens of old.

In the heart of Batuan village stands one of Bali’s oldest and most spiritually charged temples: Pura Puseh Desa Batuan. Founded in 1020 AD, it’s recorded in Balinese historical texts that stretch back over a millennium. Its structure is not only physically resilient but symbolically rooted in something far older, believed to have been built atop a megalithic worship site once used for ancestral rites.