In the quiet north of Chiang Rai, where the air hums with memory and shadow, stands The Black House Museum, the unique brainchild of famed Thai artist Thawan Duchanee. This open-air gallery unfolds across tranquil gardens, where forty haunting structures rise like dark prayers. Within their walls, bones, taxidermy, and sacred art merge into a single, unsettling vision, a labyrinth of charred timber and silence, less a museum than a descent into the artist’s soul.

Rising near Phuket’s southern tip, Wat Chalong is the island’s largest and most revered Buddhist temple. Built in the early 19th century, it is famed for its association with monks who led the community to victory during the 1876 Chinese rebellion. Today, its golden spires and serene courtyards draw visitors from around the world, offering a glimpse into Phuket’s rich spiritual heritage.

Long before travellers came seeking ferries to the islands, this land was the heart of the Srivijaya Empire, a kingdom of monks and mariners who spread their beliefs across the seas. While the traces of that empire have mostly faded into dust, Surat Thani still carries its spirit, in the rhythm of daily life, in the gentle pace of its people and in the enduring sense that something sacred once called this place home.

Hidden in a lonely ravine between the Petanu and Pakrisan Rivers, the ruins of this unique 14th-century rock relief lay buried for centuries under volcanic eruptions and vegetation. The site was excavated by Dutch authorities in 1925 and in 1949, a stone gutter was cemented on top in order to drain off water, to prevent erosion and vegetation from taking hold, revealing even more of the stone mural.

Carved into the rock cliffs on both sides of the Pakrisan River, this 11th century temple site and funerary complex is of profound historical and spiritual significance to the Balinese people. The name Gunung Kawi translates to the "Mountain of Poetry" but it is also affectionately referred to as the Valley of the Kings.

The Ho Chi Minh Museum in Hanoi is more than a museum, it is a shrine to revolution, memory and sacrifice, standing as one of Vietnam’s most important monuments. It honours the man known as “Uncle Ho” while also serving as a vast archive of the struggles that shaped modern Vietnam, a place where personal biography and national trauma merge into a single, powerful narrative.

Rarely visited and tucked away at the foot of Kyoto’s Otagi Mountain, Otagi Nenbutsu-ji is a temple that feels worlds apart from the polished shrines and crowds of nearby Arashiyama. Moss-laden, quiet and steeped in a peculiar charm, it is best known for the 1,200 stone Rakan statues that dot its grounds, each a unique, hand-carved representation of one of Buddha’s disciples. Their expressions range from joyful to meditative, grinning, laughing, sipping sake, or caught in sil

In the heart of Zhengzhou, the capital of China’s Henan Province, stands a structure that quietly guards the soul of a civilization, the Henan Museum. With its soaring, bronze-coloured dome echoing the shape of an ancient Chinese cauldron, the museum is not just a building, it’s a portal to one of the oldest and most culturally rich regions in China. Here, the spirit of one of the world’s oldest civilizations lingers in every artifact, whispering stories from millennia ago.

Consumed by jungle and time, very little is known about this temple ruin but it is believed this stone monument was once an ancient hermitage, a meditation retreat for elite monks or a sanctuary for sacred manuscripts. Located near the northwest corner of the holy reservoir of East Baray, deep inside the Angkor Archaeological Park, it was designed and constructed by King Jayavarman VII during the late 12th century.